Showing results by narrator "Christopher Selbie" in All Categories

A review of the retrospective exhibition of sculptor Sir Antony Gormley OBE held at the Royal Academy London. Encounters varied works from studies and notebooks to gigantic installations.

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

Cv/VAR Series 315 reviews Anatomy of Violence: Francis Bacon and the Human Body at the Royal Academy London. Includes Francis Bacon Seminar, a discussion of the artist, recorded at Kingston University and the Hayward Gallery, London, 1998.

A review of the exhibition Late Constable at the Royal Academy London. Includes the family background of the artist, his career development, and working methods and technique. Noted works include "The Leaping Horse", "Cottage in East Bergholt", "Rainstorm at Sea", "Chain Pier Brighton", "Stonehenge", and "The Cornfield". Includes essays by Edward Lucie-Smith ("John Constable", 2006) and Janet Barber ("John Constable: Earth and Sky", 2012).

On the march, around the campfire, and in the taverns, they tell incredible stories about Tarmun Vykers, the Reaper - how he's never been cut in battle, how he once defeated hundreds of men by himself, how he exterminated an entire people over an insult. These stories make Vykers seem like a god, but he is a man, an arrogant, ruthless, and bloodthirsty man. For all that, he may be the only thing standing between the human race and utter annihilation at the hands of the mad wizard who calls himself the End-of-All-Things.

From the Elusive Muse's Lexicon is a second volume of poetry to accompany the earlier, "A Storm in Pandora's Tea Box". It touches upon a diverse range of subjects, from a homage to London's beloved River Thames, a trilogy of Coventry poems anticipating the City's role as UK City of Culture in 2021, tributes to departed musician friends, plus reflections upon sources of inspiration and sometimes consternation, as we navigate a course through life's amazing and often challenging journey.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.

A review of Anselm Kiefer exhibition at White Cube Bermonday tours room by room, with analytic descriptions of the large scale works on view.

A recorded visit to an exhibition by Anish Kapoor at the Lisson Gallery, London continued to 22nd June, 2019. Includes descriptions of works and bio-dara of the artist.

Experiences plaster models and maquettes ranging from The Thinker to the Burghers of Calais, portraits of Helene von Nostitz and dancer Hanako. Explores small imagined compositions of male and female figures and fragments of body parts preserved by Musee Rodin.

Peter Hartley wrote the poems in this book in a little over a year but they represent many of the joys and some of the sorrows of a lifetime. They reflect a love of Labrador retrievers and penguins, cryptic crosswords, mountains and travel, wild and lonely places, the poetry of Hopkins, baroque music (especially Handel), a dislike for most modern art and architecture, and an extremely odd attitude towards cats. While nearing completion the author’s partner was struck down by motor neuron disease.

History tells us that William Shakespeare died in April of 1616. Or did he? What if the “William Kemp” who set sail from England for the New World in April of 1619 was actually the bard in disguise? How would he adjust to life in the Virginia Colony? How would he interact with the Powhatans? And what if he was forced to do battle with a monster out of legend? This is the story of Shakespeare’s second life.

When Richard Griffiths meets attractive Andrea Nelson he is expecting nothing more than a holiday romance. But soon he is embroiled in a sinister web of deceit and corruption which reaches into the highest levels of the European parliament. As atrocity follows atrocity, Richard’s cousin, Commander Nick Hunter RN of the International Force Against Terrorism, is called in to chase down the villains before more innocent lives are lost. In a fight against time, this is Henke at his pause-resisting best.

Cv/VAR 47 documents an interview with the the celebrated sculptor Arman (1928-2005), exploring his early connections with Yves Klein, Rosicrucianism, and the development of auto-formed sculptures of collected objects.

Vykers once killed some of the Emperor’s soldiers; now, the Emperor has crossed the sea with all his legions to exact a revenge that will impact not only the Reaper, but Kittins, Spirk, Eoman, and even the Virgin Queen herself. Meanwhile, pieces to the puzzle of Vykers’ origins begin to fall into place, revealing people and purposes both unexpected and heretofore unimaginable.

A facsimile edition of an book created by N.J.P.Wegner, 1961, contains fables by Aesop and other classical authors. As a child, he would sometimes go upstairs to the studio where his father, Fritz Wegner (1924-2015), a renowned children's book illustrator, worked. He would stand beside him watching pencil roughs evolve into finished studies of intimate detail; the little figures and settings hatched with a scratching dip pen.

Betrayed by his closest friend, someone who has also stolen his most precious possession, Tarmun Vykers wants revenge. Kittins wants revenge, too - against the all-powerful Queen, who’s been manipulating and dictating his every move for far too long, to devastating effect. Long Pete wants revenge against the slavers who murdered his wife and even now hold his only child captive. And many others too numerous to count want revenge, as well, for slights both real and imagined. One thing is certain: Punishment is coming.

The 2013 monograph republished on the occasion of the 2020 Andy Warhol retrospective at Tate Modern London featuring: Campbell's Soup Cans, 1960s portraits; Suicides and Car Crashes; Sex Parts; Latinx Trans Portraits and the finnale Sicty Last Suppers 1986. Includes Andy Warhol at the NGMA Edinburgh, October 2007, A Celebration of Life...and Death. Magdalena Wasiura on Andy Warhol: Brigid Bardot portrait at Gagosian Gallery 2013.

Three years have passed since Tarmun Vykers’ victory over the mad sorcerer who called himself the End-of-All-Things. But they’ve been three long years confined to a sick bed with a grievous wound that will not heal, cannot be healed by any means known to man. And then, something unthinkable happens, and Vykers is summoned once again to save the kingdom.