Showing titles in History & Criticism

The best masterclass in classical music you never knew you needed. Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But...

Bloomsbury presents Trip-Hop by RJ Wheaton, read by Adam Sims. Trip-hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes...

Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes "disaster sound like the best fun in the world."

From the sugar rush of Tokyo’s idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this audiobook by Japan Times music columnist Ian F. Martin offers a witty and tender look at the issues that shape Japanese music today. With insights into the evolution of J-pop as well as its history, infrastructure, and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas.

Thunderclap Newman stunned the music world in the summer of 1969 with the success of their wonderfully odd debut single "Something In The Air", which ousted none other than the Beatles from the top of the charts. They followed up with an LP described by Nik Cohn as "one of the finest, most truly bizarre albums of the era" before disintegrating just a few months after its release. This is the story of one of the most unlikely combos in popular music history, and of the four disparate characters who formed its core.

John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Chronicling the East and West Coast cultures of the late 1960s and early 1970s-New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love - Glatt reveals how Graham made it all possible. But why did Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity?

There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock 'n' roll of the '50s, '60s, and '70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond.

Equal parts music criticism, cultural and comedy history, autobiography, and comic meditation on nostalgia, television, consumerism, childhood, technology, and food, The Weird Accordion to Al does justice to a musical legend and comic genius, the extent of whose remarkable achievements are only now being fully understood and appreciated.

When musique concrète first hit the airwaves, listeners reached for their earplugs. This strange genre didn’t sound like music at all! It ignored melody and meter. It didn’t even use instruments. Instead, musique concrète took recorded sound as its raw material. That could be anything from...

With an additional 30,000 words of compelling stories, research, and analysis, music journalist and In Defense of Ska podcast creator/host Aaron Carnes presents the case that ska never died, by jumping headfirst into ska's "lost years," i.e., the period after the 90s third-wave ska boom.

West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards, something new and equally ugly forms.... "Grebo" was a media-constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. A homegrown proto-grunge, grebo was a British phenomenon that drew on an eclectic range of influences, from punk, '60s garage, and psychedelia, through to '70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics.

In this sweeping history of popular music in the United States, NPR’s acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race. In...

Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era.

Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears’ career.

For more than 20 years, music critic Bernard Holland reviewed the most celebrated artists of the 20th century. He reported both sides of the culture war between an honored past and radical change. Throughout his writings, Holland discusses what classical music really is, destroys the myth of high and low art, and defines the job of the music critic. Along the way, the listener will chat with Herbert von Karajan, take a plane trip with Yo-Yo Ma, and walk the slow walk with Robert Wilson.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next.

A bestselling music historian follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazz. In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz...

This audiobook is not meant to be a band biography; it's a condensed guide of fun facts and information. If you are curious about what happened to that band you heard on the radio the other day, then download this audiobook!

El célebre tenor Ian Bostridge pasó casi dos años sin poder pisar los escenarios a causa de la pandemia, hecho que lo llevó a reflexionar sobre el valor irrenunciable del contacto directo con el público, a la vez que le permitió ahondar en el amplio catálogo de clásicos que ha interpretado a lo largo de su carrera.

The first book of its kind, A Quick Ting on Afrobeats chronicles the social and cultural development of the eponymous music genre, tracing its rich history from the African continent all the way to the musical centre of the Western world.