This week we take on George Romero's Martin from 1977. Is it a vampire movie? Maybe if you squint at it just right. Martin doesn't fit neatly into any genre and for that we're at a loss to properly define it. But one thing is for sure, this is our favorite non-zombie Romero movie. It's a very weird, very European movie with artsy tendencies and a good idea of where George Romer's career may have gone had he not been repeatedly dragged back to the zombie well.

In Martin, the eponymous young man drifts from house to house, a ward of a highly superstitious family who pass him around as a burden that must be contained lest his bloodlust lead him to mayhem and carnage but here's the problem: Martin doesn't seem to actually be a vampire. He walks around during the day, holy symbols and vampire wards have no effect on him. But he is no less monstrous, being an actual serial killer. The question remains, does Martin kill because he's been told for so long that he's a monster?

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This week we take a look at what is arguably Godfrey Ho's magnum opus as far as that director can have such a thing. We're watching Ninja Terminator from 1986, just one of scores of cheap, trashy martial arts movies made in the 1980s by Godfrey Ho in order to capitalize on the western appetite for all things ninja. Ho is famous for a technique of cut and paste filmmaking where he would cut out all the good parts of an Asian action movie, shoot some wraparound footage with western actors, and dub the whole thing over with a new audio track to make a new movie. Sort of. Plus ninjas.

In this one, Ho casts Richard Harrison as Master Ninja Harry who, along with some friends, absconds with three pieces of a statue sacred to the Ninja Empire. When one of them are killed and the Ninja Empire recovers one piece, the other two ninjas conspire to keep the pieces away in order reform the ninja empire. Maybe? Harry enlists his friend Jaguar Wong to seek out the missing piece and a whole lot of crazy bullshit happens in the meantime.

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This week we're joined by our friend Jon Lee Brody of the That Was Pretty Spooky podcast for a look at John Carpenter's last movie of the 1980s, They Live. In this evergreen social commentary, Carpenter presents a world very much like our own where the only class distinction is rich and poor and as it would turn out, the rich aren't even human.

In They Live a homeless man with no name drifts into Los Angeles looking for work and stumbles into a conspiracy by an underground of the underclasses to fight back against the elite wealth class which rules the world with fantastic technology that keeps humanity asleep while hidden aliens loot the earth of its resources, leaving the rest of us poor and at one another's throats for what crumbs they afford us.

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