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The Magic Cottage

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The Magic Cottage

By: James Herbert
Narrated by: Kris Dyer
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Summary

The nightmare home. We thought we'd found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down, but so peaceful. The woodland animals and birds couldn't have been more neighbourly. That was the first part of the Magic. Midge's painting and my music soared to new heights of creativity. That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

What happened to us there was horrendous beyond belief. The miracles, the healings, the crazy sect who wanted our home for themselves, the hideous creatures that crawled from the nether regions, and the bats - oh God, the bats! Even now those horrible things seem impossible to me. Yet they happened...

James Herbert was one of Britain's greatest popular novelists and our #1 best-selling writer of chiller fiction. Widely imitated and hugely influential, he wrote 23 novels which have collectively sold over 54 million copies worldwide and been translated into 34 languages.

Born in London in the forties, James Herbert was art director of an advertising agency before turning to writing fiction in 1975. His first novel, The Rats, was an instant bestseller and is now recognised as a classic of popular contemporary fiction. Herbert went on to publish a new top ten best-seller every year until 1988. He wrote six more best-selling novels in the 1990s and three more since: Once, Nobody True and The Secret of Crickley Hall. Herbert died in March 2013 at the age of 69.

©1986 James Herbert (P)2013 Audible Ltd
Genre Fiction Ghosts Horror Literary Fiction Supernatural Thriller & Suspense Scary Paranormal Magic Haunted Fiction

Editor reviews

A young couple finds a dilapidated but still-idyllic cottage in Hampshire's New Forest and quickly move into their dream home. However, before long, strange occurrences begin to disturb their little paradise: ominous sounds from the attic and shadowy figures lurking among the trees. Narrator Kris Dyer builds an easy rapport with listeners as Midge and Mike settle into their home, then slowly infuses tension and anxiety into his performance as the couple cross paths with a cultish group with sinister intentions. Listeners will continue to feel the chill of this horror story long after they have turned it off.

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Firstly I must say the narrator did a good job overall. His voice for Midge who is supposed to be an attractive young lady, unfortunately sounded a bit like Julian Clarey. This image whilst comical in my mind, detracted from the story for me a bit but eventually i got wrapped into the story again.

The audiobook transports you back to what feels like the 1980s. You can smell the forest, see and feel the idyllic location. The young couple living what can be described as a dream that most people would want to live. Having grown up in a cottage with so many similarities to that within the book, I feel a connection to the book that is deeper than mere entertainment.

The story becomes more fast paced and exciting at the end and is a good story. I would recommend this book or audiobook to anyone reading this.

The Magic Cottage

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I’m a fan of James Herbert, and after reading the mixed reviews thought I would make up my own mind. The start of the story is fair enough, but the voice of midge, is dreadful. The voice was ridiculously awful, I tried to get past it by her description, enough said make up your own mind. As expected the story start to evolve, not bad quite acceptable and enjoyable. As we continue the story could have been written by a different author, it becomes totally stupid.

The voice!

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This is definitely something a little bit different from JH. I lost myself in it xx

Totally loved it.

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Really good story spoilt by the narrater. Who managed to sound bored and totally flattened all the excitement and subtle jokes were lost.
The female part sounded like Boy George'. Awful.

What a Shame

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Unfortunately, let down by a weak finish, overabundance of hyperbole in an attempt to scare.
Narration excellent and helped sustain interest.

Good first two-thirds

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